NON CLASSÉ

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Still from 'Why Do I See You in Everything?' by Rand Abou Fakher
Voice Notes: On Rand Abou Fakher’s 'Why Do I See You in Everything?'
ROTTERDAM 2026: In the trial run of our new article format, we chat about this Harbour title, which explores the friendship between two Syrian men juxtaposed with footage of the Syrian Revolution in a cinematic conversation about caretaking and breaking...
how to divorce during the war andrius blazevicius
Looking for a Role to Play: Gender Performativity in Andrius Blaževičius’ 'How to Divorce During the War'
SUNDANCE 2026: Marija and Vytas navigate their uncomfortable divorce as the Russian invasion of Ukraine rages on, setting loose a disruption of binary and performative roles amidst these chaotic events.
dreams in nightmares shatar michelle ford 1
Movement Beyond the Surface: Notes on Shatara Michelle Ford’s 'Dreams in Nightmares'
INSIDE OUT 2025: The writer-director's sophomore feature encourages us to think critically about their characters in space and through the liberatory act of movement.
Still from Elena Oxman's 'Outerlands'
San Francisco, I’m Coming Home: Heterotopia and Elena Oxman’s 'Outerlands'
SFFILM 2025: The US writer-director makes her tenderly liminal feature debut with a story that’s just as much a reckoning with being stuck in limbo as it is a love letter to The City.
A still from Deepa Mehta's 'Fire'
Deepa Mehta's 'Fire' and the Lesbian Connotation of Saying No
Nearly three decades after its premiere in Toronto, the first film in Deepa Mehta's acclaimed 'Elements' trilogy continues to offer a poignant yet scorching cinematic exemplar of lesbian refusal.
A still from 'The Mud Under My Window' by Violette Delvoye.
Horny, Frustrated, Joyous: Best of Queer Shorts at Anima 2025
ANIMA 2025: We take a look at three highlights from this Brussels festival for animated films, which have all been critically acclaimed to date—for good reason.
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