PURPLE HOUR

cinema from a queer lens and canted angle.

John Nein, Sundance senior programmer and director of strategic initiatives
'Queer cinema is inseparable from independent storytelling': John Nein, senior programmer at Sundance Film Festival
PROGRAMMER TALKS: We kick off this new series via a conversation about the importance of queer stories to American independent cinema and Sundance's approach to supporting filmmakers.
Marcelo Caetano, director of 'Baby'
‘I was trying to understand who I was by looking to another generation’: Marcelo Caetano on ‘Baby’
PINK SCREENS 2025: The Brazilian director shares his thoughts on creating cinema as a testament to life, found family, and the city of São Paulo.
Kukla at the 31st Sarajevo Film Festival
‘We are just mediums for ideas and visions and sparks’: Kukla on ‘Fantasy’
LOCARNO / SARAJEVO 2025: The Slovenian director shares the multifaceted inspiration for her film, in which three women friends meet a trans woman whose presence encourages them to break out of their patriarchal prison.

REVIEWS

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Resorting to Tenderness – A Temporal Implant: 'Before/After' (2025) by Manoël Dupont
Still from 'Queens of Drama' by Alexis Langlois
All You Need is Love and Queerpop: 'Queens of Drama' (2024) by Alexis Langlois
Still from Rohan Parashuram Kanawade's 'Cactus Pears'
Beneath the Shade of Your Leaves, I Grow: 'Cactus Pears' (2025) by Rohan Parashuram Kanawade
the crowd sahand kabiri 1
Inside These Walls, I’ll Carry You: 'The Crowd' (2025) by Sahand Kabiri
Still from Petersen Vargas' 'Some Nights I Feel Like Walking'
Soft Boys, Sharp Corners: 'Some Nights I Feel Like Walking' (2024) by Petersen Vargas
mysterious gaze of the flamingo diego cespedes
The Village That Raised the Dolls: 'The Mysterious Gaze of the Flamingo' (2025) by Diego Céspedes 
Josh O'Connor and Paul Mescal in Oliver Hermanus' 'The History of Sound'
Sepia, Silence, and Sad Gays: 'The History of Sound' (2025) by Oliver Hermanus
Jonas Dassler (left) and Fabian Stumm in 'Sad Jokes'
The Importance of Being Earnest, Redux: 'Sad Jokes' (2024) by Fabian Stumm

INTERVIEWS

John Nein, Sundance senior programmer and director of strategic initiatives
'Queer cinema is inseparable from independent storytelling': John Nein, senior programmer at Sundance Film Festival
Marcelo Caetano, director of 'Baby'
‘I was trying to understand who I was by looking to another generation’: Marcelo Caetano on ‘Baby’
Kukla at the 31st Sarajevo Film Festival
‘We are just mediums for ideas and visions and sparks’: Kukla on ‘Fantasy’
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‘Our radical futures must be made of joy’: Yaya Xi-lin Wang on ‘Into the Next Tide’
Annapurna Sriram at the Karlovy Vary International Film Festival
'This is feminist, this isn’t fantastical': Annapurna Sriram on 'Fucktoys'
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'How are you going to light reality?': Manoël Dupont on 'Before/After'
Actor Benjamin Turnbull (left) and Director Devin Shears (right) of 'Cherub'
'It’s about being seen': Devin Shears and Benjamin Turnbull on ‘Cherub’
'Ride or Die' director Josalynn Smith
'I’m really interested in the aesthetics of Americana when you put queer people, Black people in those spaces': Josalynn Smith on ‘Ride or Die’