INTERVIEWS

Conversations, chats, and critical thoughts with filmmakers and all those involved with the moving image.

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'It was important to show that transition is very much a collaborative experience': Amy Jenkins and Adam Sieswerda on 'Adam’s Apple'
FRAMELINE50: The mother and son duo share their experiences of looking at the same memories from different temporal vantage points and their thoughts on a trans gaze in documentary filmmaking.
'Black Burns Fast' director Sandulela Asanda
'I want to change the way mainstream media sees queer women and queer Black people': Sandulela Asanda on 'Black Burns Fast'
FRAMELINE50: The South African filmmaker shares her no-holds-barred approach to making films, knowing what her audience wants to see, and bringing portrayals of Black girls back to a genuinely recognisable reality.
Xiaodan He
'The body can speak to so many things: power, identity, courage': Xiaodan He on 'Montreal, My Beautiful'
FRAMELINE50: The Chinese-Canadian filmmaker tells us about infusing her immigrant experience with the topic of queer life, rooting romance in friendship, and letting freedom run its course, even if it means hesitating a little bit at first.
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‘I always come back to women’s relationships and how women do so much’: Gloria Mercer and Bethany Brown on ‘A Safe Distance’
FRAMELINE50: The director and one of the stars of this Canadian thriller talk about the unique energy of a small set, forging sapphic intimacy onscreen. and coincidentally making an eerily resonant film.
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'The act of making this film and the sheer existence of the two characters queer the cityscape': Shan Jiang on 'Ephemera'
TRIBECA25 / FRAMELINE50: The first-time feature filmmaker talks about being inspired by stories familiar to us, finding the specificity in a queer tale, and making an imprint on an urban landscape.
Faridah Gbadamosi, senior programmer at Tribeca Festival
'Is queer cinema ultimately changing form? Festivals are in an ideal position to have that conversation': Faridah Gbadamosi, Tribeca senior programmer
TRIBECA 2026: Ahead of its 25th anniversary edition, we learned about the New York festival's audience-driven approach, a move toward queer stories existing rather than explaining, and festivals as a platform for queer cinema to evolve as a form.
Virages directors - Aline Suter & Céline Carridroit
'The Geneva you see in the film is the one we belong to': Céline Carridroit and Aline Suter on 'Summer Drift'
CANNES 2026: The directors chat with us about capturing that alternative view of the city they know so well, letting film and life meld together, and the importance of a little patience—and a lot of flexibility.
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'All the images I create must be aware of the responsibility they carry': Markus Schleinzer on 'Rose'
INDIELISBOA 2026: The Austrian filmmaker speaks about the necessity of portraying the consequences of violence, freedom as tied to desire, and refusing conventions around gendered bodily presentation in cinema.
Sophie Heldman
'We always tried to stay true to who we felt these people were': Sophie Heldman on 'The Education of Jane Cumming'
INDIELISBOA 2026: The Berlin-based director explores the complex nature of truth through archives, the historical invisibilisation of women, and how her film embraces queerness in multiple ways.
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