INTERVIEWS

Conversations, chats, and critical thoughts with filmmakers and all those involved with the moving image.

film-director-aung-phyoe
'I believe there is something special about queer desires, whether tenderness or brutality': Aung Phyoe on 'Fruit Gathering'
KARLOVY VARY 2026: With the first film from Myanmar at the Czech festival, the writer-director shares his conscientious approach to a debut feature focused on the complexities of desire, intimacy, and economic reality of working women in contemporary...
Photo credit: KVIFF
‘While we were exploring the characters, we also found space for a bit of ambiguity’: Mate Ugrin on ‘Petty Thieves’
KARLOVY VARY 2026: Between public spaces and private encounters comes the Croatian director's debut feature, which trades in different forms of intimacy through all that is left unspoken.
frameline-kate-bove-interview
'There’s this effort from queer and trans filmmakers to really look at the media that’s shaped us': Kate Bove, Frameline associate director of programmes
CURATOR TALKS: On the occasion of the 50th anniversary of the world's longest-running queer film festival, we explore how the event responds to history and sees the transformation of queer cinema.
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'It’s such a luxury to sit in flaws and humanness': Elliot Tuttle, Kieron Moore, and Reed Birney on ‘Blue Film’
NEW RELEASES: The team behind the year’s most controversial queer film explore its nuance as they look back on their experience.
Alice Douard Edit2
'I think identification is the only way we reach the other': Alice Douard on 'Love Letters'
FRAMELINE50: The French filmmaker talks to us about staying in the realm of questions, awkwardness, and misunderstandings while building a family in her first feature.
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'It was important to show that transition is very much a collaborative experience': Amy Jenkins and Adam Sieswerda on 'Adam’s Apple'
FRAMELINE50: The mother and son duo share their experiences of looking at the same memories from different temporal vantage points and their thoughts on a trans gaze in documentary filmmaking.
'Black Burns Fast' director Sandulela Asanda
'I want to change the way mainstream media sees queer women and queer Black people': Sandulela Asanda on 'Black Burns Fast'
FRAMELINE50: The South African filmmaker shares her no-holds-barred approach to making films, knowing what her audience wants to see, and bringing portrayals of Black girls back to a genuinely recognisable reality.
Xiaodan He
'The body can speak to so many things: power, identity, courage': Xiaodan He on 'Montreal, My Beautiful'
FRAMELINE50: The Chinese-Canadian filmmaker tells us about infusing her immigrant experience with the topic of queer life, rooting romance in friendship, and letting freedom run its course, even if it means hesitating a little bit at first.
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‘I always come back to women’s relationships and how women do so much’: Gloria Mercer and Bethany Brown on ‘A Safe Distance’
FRAMELINE50: The director and one of the stars of this Canadian thriller talk about the unique energy of a small set, forging sapphic intimacy onscreen. and coincidentally making an eerily resonant film.
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