INTERVIEWS

Conversations, chats, and critical thoughts with filmmakers and all those involved with the moving image.

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‘Fiction becomes a great way to externalise and understand these issues’: Sullivan LePostec, MIDPOINT Focus Queer lead tutor
KARLOVY VARY 2026: To learn more about this lab's approach to cultivating new queer projects in development, we spoke with one of the programme leads to learn more about how he brings his background to bear and how creating a strong group environment...
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'It’s a story we’ve seen before in some ways, but never here and never about us': Šimon Holý on 'Chica Checa'
KARLOVY VARY 2026: The Czech filmmaker tells us about the necessity of this film in his country right now, pushing back against homophobia disguised as fear, and using an approachable and accessible tone.
Nader Saeivar KVIFF
'If we look from this point of view, I can say that this might be my first film': Nader Saeivar on 'Hijamat'
KARLOVY VARY 2026: The Iranian filmmaker shares his approach to this Berlin-set drama that examines the echo chamber of conservative religion as it clashes with the realities of queer life.
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'I believe there is something special about queer desires, whether tenderness or brutality': Aung Phyoe on 'Fruit Gathering'
KARLOVY VARY 2026: The writer-director shares his conscientious approach to a debut feature focused on desire, intimacy, and economic reality of working women in contemporary Myanmar.
Photo credit: KVIFF
‘While we were exploring the characters, we also found space for a bit of ambiguity’: Mate Ugrin on ‘Petty Thieves’
KARLOVY VARY 2026: Between public spaces and private encounters comes the Croatian director's debut feature, which trades in different forms of intimacy through all that is left unspoken.
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'There’s this effort from queer and trans filmmakers to really look at the media that’s shaped us': Kate Bove, Frameline associate director of programmes
CURATOR TALKS: On the occasion of the 50th anniversary of the world's longest-running queer film festival, we explore how the event responds to history and sees the transformation of queer cinema.
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'It’s such a luxury to sit in flaws and humanness': Elliot Tuttle, Kieron Moore, and Reed Birney on ‘Blue Film’
NEW RELEASES: The team behind the year’s most controversial queer film explore its nuance as they look back on their experience.
Alice Douard Edit2
'I think identification is the only way we reach the other': Alice Douard on 'Love Letters'
FRAMELINE50: The French filmmaker talks to us about staying in the realm of questions, awkwardness, and misunderstandings while building a family in her first feature.
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'It was important to show that transition is very much a collaborative experience': Amy Jenkins and Adam Sieswerda on 'Adam’s Apple'
FRAMELINE50: The mother and son duo share their experiences of looking at the same memories from different temporal vantage points and their thoughts on a trans gaze in documentary filmmaking.
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