Mother Mary Comes to Me: The Sensuous Renaissance of ‘Little Trouble Girls’
BFI FLARE 2026: We take a look at one of the most intriguing films of 2025, Slovenian filmmaker Urška Djukić’s story of Catholicism-meets-sexuality, made unexpected.
BFI FLARE 2026: We take a look at one of the most intriguing films of 2025, Slovenian filmmaker Urška Djukić’s story of Catholicism-meets-sexuality, made unexpected.
ROTTERDAM 2026: In the trial run of our new article format, we chat about this Harbour title, which explores the friendship between two Syrian men juxtaposed with footage of the Syrian Revolution in a cinematic conversation about caretaking and breaking cycles of violence.
SUNDANCE 2026: Marija and Vytas navigate their uncomfortable divorce as the Russian invasion of Ukraine rages on, setting loose a disruption of binary and performative roles amidst these chaotic events.
INSIDE OUT 2025: The writer-director’s sophomore feature encourages us to think critically about their characters in space and through the liberatory act of movement.
SFFILM 2025: The US writer-director makes her tenderly liminal feature debut with a story that’s just as much a reckoning with being stuck in limbo as it is a love letter to The City.
Nearly three decades after its premiere in Toronto, the first film in Deepa Mehta’s acclaimed ‘Elements’ trilogy continues to offer a poignant yet scorching cinematic exemplar of lesbian refusal.
ANIMA 2025: We take a look at three highlights from this Brussels festival for animated films, which have all been critically acclaimed to date—for good reason.
SXSW 2025: We explore how a new documentary about astronaut Sally Ride opens up a vital realm of questions around the remembrance of LGBTQIA+ individuals in the public consciousness after their passing.
BERLINALE 2025: LGBTQIA+ films at the festival’s 75th edition showed a refreshing tendency toward celebrating the experience of queerness rather than solely the identity within.
SUNDANCE 2025: In this report, we highlight five interesting Sundance short films of different styles that we found memorable across the festival’s LGBTQIA+ offerings this year.