REVIEWS

The bread + butter of film criticism. Or not...?

Josh O'Connor and Paul Mescal in Oliver Hermanus' 'The History of Sound'
Sepia, Silence, and Sad Gays: 'The History of Sound' (2025) by Oliver Hermanus
CANNES 2025: Led by heartthrob favourites Paul Mescal and Josh O'Connor, the South African director's new queer drama is disappointingly lukewarm, caught up in its own languorous melancholia.
Jonas Dassler (left) and Fabian Stumm in 'Sad Jokes'
The Importance of Being Earnest, Redux: 'Sad Jokes' (2024) by Fabian Stumm
BFI FLARE 2025: In an unwavering refusal of cynicism, the German writer-director-actor creates a thought-provoking sophomore feature by pointing to life’s inherent ironies and beautiful moments as they play out in often unexpected ways.
A still from 'Fucktoys' by Annapurna Sriram
Sex Work, Yassified and Empowered: 'Fucktoys' (2025) by Annapurna Sriram
SXSW 2025: In her self-described “bubblegum grindhouse” feature, the Nashville-born actor turned writer-director creates a stylistically compelling, even if at times slightly too plotless, sex work-cum-road movie comedy.
Left to right: Madison Lanesey and Travis Quentin Young in GG Hawkins' 'I Really Love My Husband'
Love in the Age of Instant Gratification: 'I Really Love My Husband' (2025) by GG Hawkins
SXSW 2025: With her feature debut about a couple on their emotionally shaky honeymoon, GG Hawkins interrogates a contemporary feeling of social malaise where we simply don't know how to be alone.
Still from 'Lesbian Space Princess' by Leela Varghese and Emma Hough Hobbs.
Unapologetically Out in Space: 'Lesbian Space Princess' (2024) by Leela Varghese and Emma Hough Hobbs
BERLINALE 2025: The Australian animated feature isn’t the radical, anarchic queer middle-finger to the heteropatriarchy that it claims to be, but it is an eager, honest effort by these first-time feature directors.
Left to right: Gabriel Faryas and Henrique Barreira in 'Night Stage'
What We Perform in the Shadows: 'Night Stage' (2025) by Marcio Reolon and Filipe Matzembacher
BERLINALE 2025: The Teddy Award-winning Brazilian filmmaking duo returns to the festival with an erotic but not-so-thrilling melodrama where the film's lighting ultimately steals the spotlight.
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