REVIEWS

The bread + butter of film criticism. Or not...?

Still from Aung Phyoe's 'Fruit Gathering'
A Longing for the Upcountry: 'Fruit Gathering' (2026) by Aung Phyoe
KARLOVY VARY 2026: The Burmese director's prize-winning debut feature traces the friendship and increasingly ambiguous relationship between two young women who want different things from each other while working together at a factory in the capital of...
Still from 'Animol' by Ashley Walters
This Paradise Built in Hell: 'Animol' (2026) by Ashley Walters
KARLOVY VARY 2026: This directorial debut of the British TV star brings an unexpectedly queer story to the fore of a prison drama.
Still for Mate Ugrin's 'Petty Thieves'
The Trespass of Intimacy: 'Petty Thieves' (2026) by Mate Ugrin
KARLOVY VARY 2026: The Berlin-based filmmaker transgresses the boundaries between closeness, seduction, fixation, and intrusion in his debut feature, set in a town overrun by tourism on the Croatian Adriatic.
Still from 'Love Letters' by Alice Douard
The Gaze Always Leads: 'Love Letters' (2025) by Alice Douard
FRAMELINE50: With her feature debut, the César-winning French filmmaker makes her mark: rhythm, a camera that follows, and a story that's close to home.
the holy boy
A Smothering Embrace: 'The Holy Boy' (2025) by Paolo Strippoli
KARLOVY VARY 2026: The young Italian filmmaker moulds a new face for folk horror in his newest work, which ties the monstrous to the act of repression.
Hiam Abbass and Eya Bouteraa in 'In a Whisper'
Retracing Our Steps: 'In a Whisper' (2026) by Leyla Bouzid
FRAMELINE50: A young sapphic Tunisian woman living in Paris returns home for her uncle's funeral, both entangling and disentangling the complexities of a familial diorama when she learns her uncle, too, was queer.
Mélanie Thierry and Léa Drucker in 'A Woman's Life'
In the Mundanity of Understanding: ‘A Woman’s Life’ (2026) by Charline Bourgeois-Tacquet
CANNES 2026: Léa Drucker and Mélanie Thierry are fleeting lovers in this sophomore feature that rejects the manic trope of irresistible sapphic passion.
Still from Shan Jiang's 'Ephemera'
In Our Own World By Night: 'Ephemera' (2026) by Shan Jiang
TRIBECA25 / FRAMELINE50: In this directorial debut, two young women find themselves in a fleeting romantic encounter over one night in Shanghai, where memories are both made and uprooted as the duo enters a space of their own.
Still from 'Elephants in the Fog' by Abinash Bikram Shah
A Fragile Sanctuary: 'Elephants in the Fog' (2026) by Abinash Bikram Shah
CANNES 2026: Between a supportive community that suffocates and an anonymised village that condemns, a Kinnar trans woman searches for her own path of belonging in this Cannes-awarded Nepalese feature debut.
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