No Shame, No Gain: Queer(ed) Shorts at Sundance 2025
SUNDANCE 2025: In this report, we highlight five interesting Sundance short films of different styles that we found memorable across the festival’s LGBTQIA+ offerings this year.
SUNDANCE 2025: In this report, we highlight five interesting Sundance short films of different styles that we found memorable across the festival’s LGBTQIA+ offerings this year.
ROTTERDAM 2025: Julian Chou’s sophomore feature presents a meandering look at the state of queer acceptance in Taiwan through the conceit of an unexpected love triangle.
SUNDANCE 2025: The director of this new gay love story speaks about collaborating with a Copenhagen porn collective and drawing from real-life trans experiences in the Danish healthcare system.
SUNDANCE/ROTTERDAM 2025: It’s colourful, it’s counterhegemonic, it’s the coolest club inspired by those in Cali, Colombia—it’s Babel, where you can gamble with Death and order drinks from the Devil.
SUNDANCE 2025: The young Colombian-born filmmaker speaks about finding inspiration in traditions of Latin American magical realism and creating her stylish debut feature in collaboration with local theatre actors and her family.
SUNDANCE 2025: The Italian documentarian shared his insights into the making of his new film, who traverses a huge spectrum of patient cases to showcase the very real examples of a more compassionate healthcare system.
SUNDANCE 2025: The Alaska-born writer-director’s sophomore feature is just as playful as it is devastating, also featuring a very versatile Dylan O’Brien.
SUNDANCE/ROTTERDAM 2025: Two young Tunisians set off on a cross-country journey with the end goal of escaping their systemic social conditions in this genuinely sincere, vibrant, and hopeful debut from Tunisian writer-director Amel Guellaty.
SUNDANCE 2025: In this stylistically creative debut feature, a young police officer in ‘90s upstate New York tasked with entrapping gay men must decide between staying true to himself and his rising career.
TROMSØ 2025: The Swedish filmmaker offers a raw and personal collage of her medical transition by returning to the treatment centre where her gender-affirming surgery took place in 2012, accompanied by others preparing to do the same.