INTERVIEWS

Conversations, chats, and critical thoughts with filmmakers and all those involved with the moving image.

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‘Our radical futures must be made of joy’: Yaya Xi-lin Wang on ‘Into the next tide’
Everything about Yaya Xi-lin Wang’s 'Into the next tide' cannot be contained. The outlines of its seaborne figures are in constant flux, as is the context in which the work is presented.
Annapurna Sriram at the Karlovy Vary International Film Festival
'This is feminist, this isn’t fantastical': Annapurna Sriram on 'Fucktoys'
KVIFF 2025: We spoke to the Nashville-born filmmaker to discuss the worldbuilding in Trashtown, USA, and rejecting the expectation of what a feminist film and a critique of capitalism need to look like.
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'How are you going to light reality?': Manoël Dupont on 'Before / After'
KVIFF 2025: The first-time feature director speaks about creating an immensely collaborative and inanimate product based on improvisation and small shifts from so-called "reality".
Actor Benjamin Turnbull (left) and Director Devin Shears (right) of 'Cherub'
'It’s about being seen': Devin Shears and Benjamin Turnbull on ‘Cherub’
INSIDE OUT 2025: From graduation project to festival favourite, the director and actor discuss sincerity, vulnerability, and forming relationships through images.
'Ride or Die' director Josalynn Smith
'I’m really interested in the aesthetics of Americana and what it does when you put queer people, Black people in those spaces': Josalynn Smith on ‘Ride or Die’
TRIBECA 2025: The debuting director shares how drawing from personal conversations and queer cinema from the '90s helped her create one of the strongest queer road movies of recent years.
Paula Tomás Marques, director of ‘Two Times João Liberada’
'The writing of history has to be messier—it has to encounter this impossibility of crystallisation': Paula Tomás Marques on ‘Two Times João Liberada’
INDIELISBOA 2025: The writer-director shares her perspective on the disruption of standardised historical narratives, the politics of representation, and fostering materiality that evokes the power of archival work.
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