REVIEWS

The bread + butter of film criticism. Or not...?

Still from Paloma Schneideman's 'Big Girls Don't Cry'
Covering the Tiers: 'Big Girls Don't Cry' (2026) by Paloma Schneideman
SUNDANCE 2026: The New Zealand filmmaker's debut feature leans into rationality and the retrospective gaze as a means of emotional comfort, where its narrative neatness is exceedingly alluring.
Still from Pete Muller's 'Bucks Harbor'
Beneath the Lobster’s Shell: 'Bucks Harbor' (2026) by Pete Muller
BERLINALE 2026: Men of a small fishing town are revealed for who they are beyond stereotypes in this gentle, multifaceted portrait of masculinity and community.
'La belle année' by Angelica Ruffier
The Fluidity of Desire: 'La belle année' (2026) by Angelica Ruffier
ROTTERDAM 2026: This graceful documentary self-investigation uncovers all that remains in the home of her late father, including her now 20-year-old desire for her childhood teacher.
Cooper Hoffmann and Olivia Wilde in Gregg Araki's 'I Want Your Sex'
Be Careful What You Wish For: 'I Want Your Sex' (2026) by Gregg Araki
SUNDANCE 2026: Gregg Araki is back with this fun but surprisingly tame BDSM dramedy set between the riotous art world and the fantasies of the boy-next-door turned upside down.
Still from Moshe Rosenthal's 'Tell Me Everything'
Scent Memories: 'Tell Me Everything' (2026) by Moshe Rosenthal
SUNDANCE 2026: Hateful thinking might be difficult to unlearn, but words are the most powerful way to disrupt a socially enforced fear of queerness in the director’s moving sophomore feature.
Nadia Melliti in Hafsia Herzi's 'The Little Sister'
Sapphic Origami: 'The Little Sister' (2025) by Hafsia Herzi
TROMSØ 2026: Starring breakout Nadia Melliti, this Queer Palm winner unfolds a potent queer coming-of-age story that’s soft to the touch and warm to the heart.
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