REVIEWS

The bread + butter of film criticism. Or not...?

L-R Eya Bellagha and Slim Baccar in 'Where the Wind Comes From' by Amel Guellaty.
Emancipatory Road-Tripping: 'Where the Wind Comes From' (2025) by Amel Guellaty
SUNDANCE/ROTTERDAM 2025: Two young Tunisians set off on a cross-country journey with the end goal of escaping their systemic social conditions in this genuinely sincere, vibrant, and hopeful debut from Tunisian writer-director Amel Guellaty.
Left to right: Tom Blyth and Russell Tovey in Carmen Emmi's 'Plainclothes'
You Are Being Watched: 'Plainclothes' (2025) by Carmen Emmi
SUNDANCE 2025: In this stylistically creative debut feature, a young police officer in ‘90s upstate New York tasked with entrapping gay men must decide between staying true to himself and his rising career.
Victoria Verseau in her film 'Trans Memoria'
There is Hope, I Think: 'Trans Memoria' (2024) by Victoria Verseau
TROMSØ 2025: The Swedish filmmaker offers a raw and personal collage of her medical transition by returning to the treatment centre where her gender-affirming surgery took place in 2012, accompanied by others preparing to do the same.
we were dangerous josephine stewart-te whiu 1
Charm in the Wake of Colonialism: 'We Were Dangerous' (2023) by Josephine Stewart-Te Whiu
TROMSØ 2025: In 1950s New Zealand, three teen girls boldly take on the dark and violent surviving institutions of British colonialism —and the result is surprisingly cutesy, if not a little too much so.
Maisy Stella (left) as Elliott talks to her older self, played by Aubrey Plaza (right) in Megan Park's 'My Old Ass'.
Brusque Brushstrokes: 'My Old Ass' (2024) by Megan Park
A flipped heteronormative script is not enough to make up for the emotional nuance lacking in this story of a young lesbian-identifying teen who unexpectedly falls for a young man.
Zoe Saldaña (left) as Rita and Karla Sofía Gascón (right) as Emilia Pérez in 'Emilia Pérez', sitting next to each other at dinner.
Pomp in the Strangest of Circumstances: 'Emilia Pérez' (2024) by Jacques Audiard
Transgressive acts collide in this not-so-subversive crime musical with a handful of compelling moments that buckle under the pressure of critical interrogation.
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