REVIEWS

The bread + butter of film criticism. Or not...?

Hiam Abbass and Eya Bouteraa in 'In a Whisper'
Retracing Our Steps: 'In a Whisper' (2026) by Leyla Bouzid
FRAMELINE50: A young sapphic Tunisian woman living in Paris returns home for her uncle's funeral, both entangling and disentangling the complexities of a familial diorama when she learns her uncle, too, was queer.
Mélanie Thierry and Léa Drucker in 'A Woman's Life'
In the Mundanity of Understanding: ‘A Woman’s Life’ (2026) by Charline Bourgeois-Tacquet
CANNES 2026: Léa Drucker and Mélanie Thierry are fleeting lovers in this sophomore feature that rejects the manic trope of irresistible sapphic passion, trading it for a welcome calmness stemming from the perceptiveness between the two very different...
Still from Shan Jiang's 'Ephemera'
In Our Own World By Night: 'Ephemera' (2026) by Shan Jiang
TRIBECA25 / FRAMELINE50: In this directorial debut, two young women find themselves in a fleeting romantic encounter over one night in Shanghai, where memories are both made and uprooted as the duo enters a space of their own.
Still from 'Elephants in the Fog' by Abinash Bikram Shah
A Fragile Sanctuary: 'Elephants in the Fog' (2026) by Abinash Bikram Shah
CANNES 2026: Between a supportive community that suffocates and an anonymised village that condemns, a Kinnar trans woman searches for her own path of belonging in this Cannes-awarded Nepalese feature debut.
Still from SUMMER DRIFT by Céline Carridroit and Aline Suter
Oh, What Beautiful Machinery: 'Summer Drift' (2026) by Céline Carridroit and Aline Suter
CANNES 2026: The Swiss filmmakers create a little piece of magic in their debut feature, a docufiction about a trans woman determined to fix up her old VW Beetle for racing: her quest for personal redemption.
teenage-sex-at-camp-miasma
The Ecstasy of the Monstrous: 'Teenage Sex and Death at Camp Miasma' (2026) by Jane Schoenbrun
CANNES 2026: The US filmmaker creates something psychosexually irresistible in this queer fantasia on the ecstasy of spectatorship and embracing the darkness of desire.
Still from Paloma Schneideman's 'Big Girls Don't Cry'
Covering the Tiers: 'Big Girls Don't Cry' (2026) by Paloma Schneideman
SUNDANCE 2026: The New Zealand filmmaker's debut feature leans into rationality and the retrospective gaze as a means of emotional comfort, where its narrative neatness is exceedingly alluring.
Still from Pete Muller's 'Bucks Harbor'
Beneath the Lobster’s Shell: 'Bucks Harbor' (2026) by Pete Muller
BERLINALE 2026: Men of a small fishing town are revealed for who they are beyond stereotypes in this gentle, multifaceted portrait of masculinity and community.
'La belle année' by Angelica Ruffier
The Fluidity of Desire: 'La belle année' (2026) by Angelica Ruffier
ROTTERDAM 2026: This graceful documentary self-investigation uncovers all that remains in the home of her late father, including her now 20-year-old desire for her childhood teacher.
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