ANIMA 2026: The US filmmaker explores how his light-hearted take on a topsy-turvy trope meaningfully turns a patriarchal fairytale upside down in his endearing comedic animated short.
BERLINALE 2026: Men of a small fishing town are revealed for who they are beyond stereotypes in this gentle, multifaceted portrait of masculinity and community.
SUNDANCE 2026: Gregg Araki is back with this fun but surprisingly tame BDSM dramedy set between the riotous art world and the fantasies of the boy-next-door turned upside down.
SUNDANCE 2026: The US director opens us up to more than just the life and work of Barbara Hammer, lesbian experimental filmmaker extraordinaire, by sharing how personal and cinematic queer lives are more than intertwined.
SUNDANCE 2026: We kick off a new series via a conversation about the importance of queer stories to American independent cinema and Sundance’s approach to supporting filmmakers.
KVIFF 2025: We spoke with the Nashville-born filmmaker about the worldbuilding in Trashtown, USA, and rejecting the expectation of what a feminist film and a critique of capitalism need to look like.
TRIBECA 2025: The debuting director shares how drawing from personal conversations and queer cinema from the ’90s helped her create one of the strongest queer road movies of recent years.
INSIDE OUT 2025: The writer-director’s sophomore feature encourages us to think critically about their characters in space and through the liberatory act of movement.
CANNES 2025: Led by heartthrob favourites Paul Mescal and Josh O’Connor, the South African director’s new queer drama is disappointingly lukewarm, caught up in its own languorous melancholia.
SFFILM 2025: The US writer-director makes her tenderly liminal feature debut with a story that’s just as much a reckoning with being stuck in limbo as it is a love letter to The City.
